The lesson that intrigued me the most from last week was about the Castrati. It's mind-boggling to think that there is a whole subculture of opera singers that do not exist today. There are no true recordings, there is no way to completely recreate the sound (though the BBC method was quite fascinating), and there is no way to ever see one of these singers in the flesh.
While watching the documentary, I found myself wondering: who's decision was an individual's castration? Was it the consent of the young boy? Was it his parents? Or was it a voice mentor, who knew when a boy was destined for greatness? Was this "gift" considered a blessing or a curse to the individual? What were the psychological impacts? If the Castrati were still around today, what would society's view of them be?
It is understandable why the practice was stopped, but it would be wonderful to hear a Castrato in person. Alas, it is not possible, and we can only settle for high-tech BBC mixing methods. The Castrati are an interesting part of Opera history that should not be forgotten.
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